Mason Community Arts Academy
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Music

Faculty Feature: Carol Feather Martin

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We are excited to welcome Carol Feather Martin, who has joined us as a Piano Teaching Artist. Ms. Martin has an extensive teaching background spanning more than four decades, both as a private music instructor and a director of instrumental ensembles. She welcomes students of every age and level, from complete beginners to serious advanced students. We are excited to have Ms. Martin joining our music faculty—read our Q & A with her below to learn more about her!

 

What excites you the most about joining the Mason Community Arts Academy?

I was quite excited when I learned about MCAA and the fact that it is part of a prestigious university. The breadth of the programs offered by the Academy is quite a valuable resource for the community. The Academy’s program is a way to keep the arts in the spotlight and to supplement the programs which have been seriously reduced or deleted from the public schools. Quality arts education and literacy are vital to the complete health of every society. I am truly excited to be part of this growing program and organization.

 

How did you first fall in love with music?

I fell in love with music the day I was born. My parents are both musicians, and I was always part of any music activity in my home. I learned to read music at age three and a half. Even from a young age, I never wanted to be anything else other than a musician. My parents provided me with the best education possible and supported all my decisions while never pushing or demanding.

 

Tell us about a teaching experience you have had that was especially memorable.

In one facet of my career, I directed children’s choirs, and there was a little boy with Down Syndrome who came to the rehearsal. I eagerly welcomed the family to join the circle of young singers. When we played singing games, all of the children assisted me by taking turns leading the boy through the motions until he was able to do them on his own. When the children took turns leading rhythmic patterns for group clapping, the boy readily volunteered to lead with great enthusiasm. His personality was infectious and kept the choir on its toes.

His love and enthusiasm were totally obvious. After the choir season ended, the boy’s parents told me that his verbal skills had completely exploded and that he was now speaking more eloquently to everyone. Both his parents and teachers attribute his breakthrough to the year of singing and his love of music. The real lucky one in this experience, however, was me. He and I had a special bond, and the reward that I got from seeing him blossom was unparalleled.

 

What are some unique things you do when you teach?

My lessons are infused with laughter, historical information about the music, and curiosity about the interests of my students other than piano lessons. I work to give students a toolkit for learning music so they can continue to enjoy musical activities throughout their lives with or without formal lessons.

 

Do you have any pets?

Pets have always been a part of my life. Currently, I have three rescued cats – one of whom is almost 17 years old. I also have been the mom to a series of rescued Great Pyrenees dogs.

 

What else would you like us to know about you?

While a student at Oberlin, I had an opportunity to learn the basics of metalsmithing in a jewelry course. After many years, I began taking classes again about five years ago. I have recently started my own business to make some of my unique pieces of wearable metal art available to the public.

In my musical life, I am also a conductor for instrumental, choral, and handbells ensembles. I love planning thematic programs that are educational for the audience as well as inclusive with other arts and media.

 

Schedule Your Private Lesson with Ms. Martin Today!

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Music

How to Prepare A Recital

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Written By: Seon Gyu Park, Voice Teaching Artist

 

Our winter recital is less than two months away from now. I want to share some practical tips on how to prepare well for a recital. I have many experiences performing operas and concerts in New York, the Washington D.C. area, Korea, and many other places. I once had stage fright, but as experiences piled up, I was able to overcome it slowly. I definitely understand how you feel anxiety and nerves before a performance. I hope this article helps our Academy students to perform confidently and shine on the stage.

1. One Month Before the Recital
Work hard on memorizing music. This month should focus on remembering the music, the notes, and rhythm. You should know all the musical terms and dynamics in your sheet music. If you are a singer, you should know the meaning of the lyrics not only the words. After studying your music thoroughly, you need to memorize it as fast as you can so that you will have much time to polish it. Plus, this will give you more confidence on the stage.

 

 

2. One Week Before the Recital
Image Training—After memorizing your music well, now you need to do some image training. Find a quiet room and time and imagine that you are wearing a beautiful outfit and walk to the stage. Your audience welcomes you with big smiles and warm applause. Now, you are playing your music from beginning to end. You perform perfectly, and you bow to your passionate audience. One of the benefits of image training is that you can play your music over and over until you don’t make any mistakes. Do it repeatedly until you feel confident.

 

 

3. The Day of the Recital
Start your warm-up at least four hours before your performance. Even though you believe that you already woke up, your mind and body don’t wake up totally. Your body needs time to be warmed up. If your concert starts at 11 a.m., I encourage you to wake up at 7 a.m., take a warm shower, and have a good and healthy meal.

Have a meal at least two hours before the recital.Please don’t have a big meal right before the recital. Digestion will slow your mind down, and you don’t want to burp during the performance. Eat at least two hours before your performance. If you get hungry again, have a light snack, and stay energized.

Be hydrated with room temperature water. Hot water or hot coffee will dry your throat, and milk products make mucus. Soda drinks are not good neither. You know why; It makes you burp 😉

Have a rehearsal about one hour before the recital. Use this time to check the sound and memorization one final time.

 

4. Enjoy your performance!
Don’t worry about anything and enjoy your music. You need to believe that all the people in the audience are your supporters and cannot wait to listen to your music. You are the star! Rock it!

 

 


About Ms. Seon Gyu Park

Seon Gyu Park, Voice LessonsMs. Park is a full-lyric soprano and voice teaching artist at the Academy. She is an active opera singer appearing in numerous opera productions including the title role of Massenet’s opera “Cendrillon (Cinderella)” with Amato Opera and a soloist in the Praise Celebration of Milal at Carnegie Hall. Ms. Park is recognized in regional and national competitions such as the National Association of Teachers of Singing Virginia State and Mid-Atlantic Regional Voice competitions and the Classical Singer National Voice Competition. Ms. Park has almost 20 years of teaching experience at public school music programs and is currently pursuing a Ph.D. in vocal performance at George Mason University.

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Announcements

Academy Joins NEA Research on Arts Engagement

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Mason Community Arts Academy joined the Mason Arts Research Center (MasonARC) on a multi-faceted research project funded by the National Endowment for the Arts to explore arts education and its impact on child development. Findings from the first phase were revealed at the inaugural research conference on Friday, October 18, which culminated with a performance from Academy’s student musicians.

Supported by NEA, the research focused on three areas of study, including students’ academic performance, emotion management, and social-emotional development, and it also evaluated a set of secondary topics such as critical thinking, communication skills, and arts pedagogy. The Academy worked closely with Dr. Thalia Goldstein, Mason assistant professor of applied developmental psychology, on emotional expressions and social skills of children ages 8-10.

Dozens of Academy students from acting, music, and visual arts programs volunteered in several studies, acting out monologues and talking about characters to help the scientists.

“Currently, our Academy students are exploring monologues, and how they feel in imaginary situations,” said Associate Director Mary Letcher. “This gives the young actors another outlet for performing, and another chance to use the techniques they’re developing in our acting curriculum.”

 

 

During the conference, titled “Making Connections for Arts Education Research, Policy, and Practice,” the MasonARC team reported the findings from their investigations and provided space for an in-depth discussion on academic research, local and national policy, grantmaking, and arts practice with local artists, lawmakers, educators, and students and parents. Executive Director Libby Curtis and Associate Director Mary Letcher represented the Academy at the conference, sharing our mission and recent events with the guest attendees.

“The Academy is honored to be a partner with the Department of Psychology for this important initiative sponsored by the NEA,” said Curtis. “This first MasonARC conference was eye-opening and highlighted the importance of quality arts research along with tangible and well-articulated results, that can be used to support the arts in our communities and beyond.”

Piano student Chloe Lewis and the Patriot Violins represented the Academy and performed a delightful selection of music, including “Duet for Two Little Witches,” by Behzad Rankbaran; “Polster-Tanz,” by Bela Bartok; “Dear Theodosia” from “Hamilton,” by Lin-Manuel Miranda; and “Friss Czardas,” by Bonnie Greene. Four student violinists also performed solo works while the conference attendees had discussions among the poster presentations. Accompanied by Mason professor and Academy Teaching Artist, Dr. Ina Mirtcheva Blevins, the solo performances included “Moto Perpetuo,” by Carl Bohm performed by Lindsey Gibson; “Concerto in A Minor, Op.3, No. 6,” first movement, by Antonio Vivaldi performed by Bailey Pavitt-Graff; “Concerto in A Minor, Op. 3, No. 6,” third movement by Antonio Vivaldi performed by Rishi Kannan; and “Meditation” from “Thasis,” by Jules Massenet performed by Joshua Gwon.

 

 

“Patriot Violins is a new ensemble we created this year with the goal of having our young violinists form a close-knit ensemble who will represent MCAA in the community,” said Ms. Claire Allen, Academy Violin Teaching Artist and Faculty Coordinator. “They encourage each other in their individual work and bring great energy, enthusiasm, and creativity to our rehearsals. Performing outside of the traditional recital setting is so important for artists of every level to directly engage in their communities and bring music to the people around them.”

The research initiative will continue exploring many topics in the arts and child development, and Academy will be a significant partner supporting their endeavors.

 

 

“It is a real privilege to work with the Arts Research Center faculty and staff, introducing them to young actors who would be good candidates for their studies,” said Letcher. “The data gathered in this research is crucial for use in seeking funding for further studies, and for the overall growth of arts education programs.”

If you would like to be involved in the next phase of research, we are looking for students ages 8-10 to participate in an upcoming research topic on how acting out characters or thinking about art can affect their social and emotional development. If your child is registered for private lessons or group classes in acting, music, or visual arts and would like to participate in an one-hour study, please contact the office at 703-993-9889 or email [email protected].

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Music

Vocal Student Shares Joy and Laughs Through Singing

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A good singer with a lovely personality—this is how Jillian Michelson’s friends and family describe her, an Academy voice student who loves to bring happiness to other people’s lives.

“It was always joyful to have lessons with her,” said Ms. Seon Gyu Park, voice teaching artist at the Academy. “She has the ability to make people around her happy and bright. I believe this is a great strength as a singer.”

The Perfect Role
A singer who wishes to bring joy to her audiences, Michelson constantly searches for musical characters that make people laugh. A perfect opportunity appeared when a community theater production held an audition for its musical “Frozen, Jr.” Michelson jumped into action and earned a leading role, Olaf, a goofy and heartwarming character from this famous Disney story whose songs and jokes draw frequent laughs from the audience.

“I was excited because making people laugh and singing on stage is so fun!” said Michelson. “I feel like God’s blessed me with the perfect role to make people happy and one that suits my personality really well.”

 

 

Building the Foundation
Before the audition, Michelson was a private voice lesson student with Ms. Park, who is a full-lyric soprano with almost 20 years of singing and teaching experience. Ms. Park recalled that Michelson was weak on the low and middle vocal ranges when she first started voice lessons in 2016. To widen her vocal range, Michelson worked tirelessly to build up support muscles.

“She is enthusiastic about singing,” said Ms. Park. “Whenever I gave her songs, she learned it thoroughly and made the song her own. Her ability to express the characters is excellent. Hard work finally paid off so that now her voice is stronger on every vocal range.”

A Road to Success
A successful audition comes with endless hours of training and overcoming obstacles. After Michelson told her voice coach Ms. Park about the audition, Ms. Park believed that Michelson has the potential and work ethics to succeed, and determined to help Michelson to land on a role.

Michelson spent her lesson time analyzing the storyline, characters, and their expressions. She examined herself in the mirror for her posture, her facial expressions, and her body movements, repeating every second of her audition over and over to refine every detail.

“This role has challenged me and also brought me joy in unexpected ways,” said Michelson. “Because I’ve grown accustomed to bouncing, singing, and being happy both on and off stage!”

 

 

After endless hours of training, the production opened in early October. Michelson’s family and Ms. Park attended the opening show as Michelson’s enthusiastic fan club.

“As parents, we are so proud of Jillian’s accomplishments both on and off stage,” said her mother, Kira Michelson. “She is a smart, strong, funny, kind-hearted young woman who works hard, encourages others, and is a true joy to all around her.”

“She was shining on the stage,” said Ms. Park. “I feel thankful that she believes in me. I am a proud teacher.”

The musical is at Thomas Jefferson Community Theatre, located on 125 S. Old Glebe Road in Arlington. The show dates are Thursday, October 17 at 7:30 p.m.; Saturday, October 19 at 3 p.m.; and Sunday, October 20 at 3 p.m. Tickets can be purchased at the box office and cost $15 for general admission and $12 for children, students, military members, and seniors. Come and support our Academy student!

 

 

LEARN MORE ABOUT:     VOICE PRIVATE LESSON    |    GROUP CLASSES

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Music

Piano Students and Faculty Perform at Carnegie Hall

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Five Academy piano students showcased their talents in a recital at Carnegie Hall, one of the world’s historic performing arts venues, on Saturday, October 5. The Dream Trio, formed by faculty artists and Mason alumni Mr. Zachary Whitaker, Ms. Faith Zuniga, and Anna Kong, also made a special appearance in the program.

“The students played at a very high level and made us teachers really proud!” said Mr. Misha Tumanov, piano teaching artist. “They were super excited about performing at such a prestigious venue.”

“A recital in an important venue like Carnegie Hall is beneficial to students,” said Ms. Zuniga, piano teaching artist. “Because it rewards them for their hard work and dedication to excellence and encourages them to continue practicing diligently!”

 

 

Mr. Tumanov and Ms. Zuniga received the recital invitation from their alma mater, the Instituto Superior de Artes. They quickly realized that this would be a perfect opportunity for the Academy students. Based on the piano instructors’ recommendations, Ella, Mara, Anna, Andrew, and Dylan were selected to participate in the recital along with other dozens of young performers from Costa Rica.

 

 

In addition to the students’ performances, the Dream Trio presented a selection of chamber music including the last movement of “Smetana’s Piano Trio in G Minor, op. 15” and hoped to inspire the young musicians to continually elevate their solo performance skills and explore the beautiful sound of music through many styles and genres of music performance.

Before the concert, students spent endless hours polishing their repertoires with their instructors at the Academy. “For a big performance like this,” said Ms. Michelle Richardson, teaching artist of piano. “It is crucial to have lived with a piece for many months and to have multiple build-up performances.”

 

 

Ms. Richardson added that preparing for a formal recital requires continually reexamine the piece as it is new repertoire and going deeper and deeper as the performer crafts an interpretation.

“The rediscovery of your piece keeps the memorization clear and the emotions in the performance fresh,” said Ms. Richardson. “I tell my students that we all get nervous, even the best performers, and the key is to use the nerves in a musical way to help keep your focus and energy through the performance.”

 

 

The music faculty plans to provide more performance opportunities for our private lesson students and participants of the Vivace Intensive Program. “Traditionally, this has been a piano-only recital,” said Mr. Tumanov. “But we’re looking into having other instruments perform as well. We hope to have a bigger delegation from the Academy next year.”

 

 

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