Mason Community Arts Academy
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Faculty News

Faculty Enrichment Fund Awardee, Hannah Price

The Academy values the importance of our teacher’s professional development. Because of this, the Faculty Enrichment Fund annually provides partial and full reimbursement for teachers to attend conferences, workshops, and teacher training sessions. 

Our violin teaching artist, Hannah Price, recently partook in Suzuki Method training. The online training included 8 hours of instruction over two days, providing foundational education on the Suzuki method – its philosophy, big-picture approach, and the educational approaches that make it effective:

“I’m a Suzuki kid – I grew up on the method and was immersed in it from the age of 2 until about 14. Now that I’m a professional musician and a teacher, it was curiosity and a drive for teaching excellence that compelled me to take the first step in Suzuki training. I wanted to learn more about my own training and be able to provide the same foundation of learning for my students. 

I can say with confidence that my inaugural Suzuki training provided me that, and more. It was both informative and affirming for me as a teacher, and also provided me the perspective I was looking for. I explored, in depth, the “every child can” philosophy and unpacked what it means to me: every child has the ability to learn music, and there’s a lot of other support that must come from the child’s environment and from their parents that makes that exponential learning possible. I rediscovered my teaching philosophy, redefined my educational goals, and found clarity on how I can cultivate a studio of students who are hardworking, kind, dedicated and creative individuals. And I owe a lot of thanks to the Academy’s faculty enrichment fund for making that possible for me.”

Hannah Price
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Faculty News

Congratulations to Meeryung Hall

MCAA’s Voice Teaching Artist, Meeryung Hall, received the Indo-American Chamber of Commerce’s Award of Commendation at the Consulate General of India in New York in recognition for her seminal contribution in establishing a vibrant cultural connect between USA & India:

“Meeryung’s Bengali musical performances Kolkata helped strengthen the cultural bridge between the eastern part of India and the USA. She has also given her valuable support to ‘Kolkata Classics’ during her stay in Kolkata. By such activities, she has contributed immeasurably in enhancing our bilateral relations between our two democracies.”

The IACC’s immediate past National President Kapil Kaul presented the award, along with Consul General of India Randhir Jaiswal and former U.S. Ambassadors to India Frank Wisner and Ken Juster.

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Faculty News Music

Cellist Releases Albums to Share Peace and Encouragement

Music lovers can now add four new albums to their playlist for some uplifting spirit! Academy Cello Teaching Artist, David Chentian, has released new digital albums highlighting the sound of the instrument.

Like many performing artists, Mr. Chentian, a professional chamber musician and soloist, lost most of his performance opportunities when performing venues shut down to protect the public’s safety due to the impact of the COVID-19 pandemic. The sudden transition struck him both emotionally and spiritually.

“Usually I have lots of symphony concerts and recitals, but most of my live performances have been canceled or delayed,” said Mr. Chentian.

Although Mr. Chentian couldn’t perform in front of his audiences, the sound of the cello has brought him peace and inspired him to move forward each time when he plays at home. The idea of recording albums to deliver special love and encouragement to everyone and the front-line responders became the obvious project for him.

“Cello is a unique and beautiful instrument with a special spirit and gorgeous voice,” said Mr. Chentian. “I hope the albums can inspire listeners to love this beautiful instrument and bring peace to their ripples of emotions.”

 

 

Mr. Chentian recorded and released four albums, “Cello Spirit,” “Charming Cello,” “Melodious Cellotune,” and “Magnificent Cello.” The music selections reflected his performing style with an emphasis on clean, accurate, and elegant presentation of the instrument. Each album includes a diverse range of tracks from throughout music history, including works from the Baroque, Classical, and Romantic eras.

Mr. Chentian is a soloist, chamber, and orchestral musician who has performed across the nation. He is a member of several orchestras in the Washington, D.C. and Baltimore region. At the Academy, Mr, Chentian teaches private cello lessons. His students have earned honors at competitions including the American Protégé International Piano and Strings Competition and Joseph and Goldie Feder Memorial String Competition and have won principal chairs in their school orchestras. 

 

 

The recording sessions have brought challenges different than those involved in live performance for Mr. Chentian, and he says that it trained him to be patient and resilient. He rehearsed multiple times with his collaborative pianist before ever entering the recording studio.

“When you have a recording session, you want to make it as perfect as it will be,” said Mr. Chentian. “One tiny little mistake could force me to erase the whole track and record everything again.”

Despite the time and energy required to record an album, Mr. Chentian recommends any aspiring musicians to record an album when they can. As a professional performing artist, he sees these recordings help to keep a musician’s digital presence, where the listeners could meet the artist through music, and it can bring performance opportunities and promote one’s reputation.

 

 

As an instructor, Mr. Chentian advised young musicians who wish to record their albums to be patient and taking one step at a time to reach this goal. “Be patient about the recording sessions, it might take a long time, but sufficient practice and rehearsals will lead to a successful recording session. As their instructor, I will listen to their performance recording and give them advice to improve specific tough phrases, rhythm, intonation, articulations, and dynamics. It all comes down to basic technique and performing skills.”

Mr. Chentian’s albums are now available in Apple Music, Google Play, and Spotify.

For aspiring musicians, who are interested in recording their own music tracks, check out our Music Recording Workshop Online to learn to record, mix, and produce original music from your own home.

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Faculty News

Piano Teacher Shares Love for Balalaika Orchestra

While our Academy community primarily knows Radina Dosseva as a piano teaching artist, she is also a folk music player and performs regularly with the Washington Balalaika Society Orchestra.

A balalaika orchestra is a Russian music ensemble which performs folk music and classical repertoires with traditional Russian instruments such as balalaikas, domras, bayans, and other folk percussion and winds instruments.

Dosseva first learned about the balalaika orchestra when the American Balalaika Symphony performed at her high school. She was quickly attracted by the music and a particular string instrument—prima domra, a rounded, three-string Russian folk instrument, which she started learning to play after being recruited by a member of the American Balalaika Symphony.

“I grow up surrounded by enchanting folk melodies in Bulgaria,” said Dosseva. “It is hard not to feel nostalgic because all the music we play is very close to my heart. I even grew up listening to some of the pieces we perform, so I’m often reminded of some of the happiest moments of my childhood when I perform with this orchestra.”

 

 

Dosseva had many happy years with her balalaika orchestra until it disbanded in 2018, a sad loss both of the opportunity to perform such special music and the comradery with her fellow musicians. She began the search for a new orchestra and found the Washington Balalaika Society, the largest volunteer-based orchestra of Russian folk instruments in North America. She joined instantly.

As she reflects on her involvement in the balalaika orchestras, Dosseva says it has helped her grow as a musician and enriched her life both culturally. She says joining in a folk orchestra brings her joy and a different musical experience outside of her classical piano studies and teaching and has contributed to her understanding of many cultures. She would recommend any music student learning a secondary instrument and getting additional musical experiences.

“I fell in love with getting to interact with people of various ages, backgrounds, and experiences,” said Dosseva. “Learning a new instrument teaches me new concepts, techniques, and genres of music. Playing prima domra helps me to develop a different perspective and to be a better collaborative musician.”

 

 

Dosseva invites our Academy family to experience a Russian folk concert “From Baikal to Brazil,” performed by the Washington Balalaika Society Orchestra. The concert will mix well-known folk pieces with other classical repertories such as “Hora Staccato,” “Brazileira,” and “Baikal Tale.” The concert will be held on:

  • Saturday, November 23, at 8 p.m. at the F. Scott Fitzgerald Theatre in Rockville, Maryland.
  • Sunday, November 24, at 3 p.m. at the Kenmore Performing Arts Center in Arlington, Virginia.

Tickets cost $25 for general admission; $20 for seniors; $15 for students; and free for children ages 12 and under. For tickets and directions, please visit the Washington Balalaika Society for details.

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Events Faculty News

James Myers in Rigoletto August 3, 2018

Mason Community Arts Academy is proud to announce that Teaching Artist James Myers has been cast in the professional mens chorus in the upcoming production of Verdi’s Rigoletto with the Wolf Trap Opera Friday August 3rd at 8:15 pm.

James has sung with Washington National Opera at the Kennedy Center in their production of Wagner’s Gotterdammerung, as well as performing the role of Edward Rutledge in McLean Community Players’ production of the musical, 1776. He has also performed with the Middle Saxony Theatre in their productions of Mozart’s The Marriage of Figaro and Kurt Weill’s Street Scene.

When asked about the upcoming performance, he said “I’m most excited to sing in Rigoletto because it is one of my favorite operas and it features numerous songs that even people who have never been to an opera will easily recognize. I’m also thrilled because Wolf Trap Opera is such an amazing organization that puts on great productions.”

 

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James Myers Voice Lessons

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